Here's a photo of the green house bursting with basil, greens, strawberries and tomatoes. It's a nice time of year if you are a plant lover.
The photo, a not-very-impressive panorama --- see how the table is bent? --- is made from 4 photos, shot with a Samyang 12, which is a wide and fast lens, it's a 2.0, but one that is also EXIF-free and strictly manual focus. The former, the lack of recorded data, I can't do much about, at least not easily, I could carry a notebook or use the Fuji's voice annotation feature, but the second weakness, the manual focus, is somewhat alleviated with Fuji's focus assist, the little snakey dots which run along edges that are in focus, focus being a set of points containing a sharp color change.
Ahh, but helpful as they are, the dots can be hard to see, especially on a sunny day and you're looking at a busy scene, like a greenhouse full of plants. But it turns out there is a trick to using focus assist, a way to enhance the contrast of the in-focus areas and that's to set the film sim to b&w, like Acros, which I love, then set the focus assist to something contrasty like bright red, the red-colored focus marks standing out well against the b&w. The only downside is it adds a step in post for all those times you want a film sim that isn't say Acros.
While I'm doing this glueing together of photos I'm listening to k.d. lang, Pullin' Back the Reins, she has such a fine voice, she almost makes me like the sound of country. Almost. Oh and if by chance you notice some sentences running long it's because I'm reading Proust who is able to weave a luscious story into one long punctuation-rich sentence, something I cannot do, I don't really even aspire to achieve this feat, but I am awed at his ability to do so in so effortless a manner, and to inspire me to face each sentence as a mountain that must be climbed in one uninterrupted effort.