The nearest airports to San Miguel (SMA) are Leon (90 min) and Mexico City (4 hours). Reserving a shared shuttle to/from either airport is easy and the vans are, well, vans. The tradeoff is time at the airport versus time on the road.
We got up early, Ubered1 to the Merida airport, then flew to Mexico City. We waited for awhile at arrivals then I called the shuttle service. They apologized. We were met by a fellow from Bajiogo shuttle. We quickly discovered it was piloted by Mad Max. So I put in some earbuds, listened to the last chapters of a Trollope2, and kept my eyes averted from the road and threatened carnage ahead. After several hours of pedal to the metal, dodging between cars, trucks, and construction zones, Max suddenly slowed. We'd arrived in quaint, cobblestoned San Miguel. This is looking very different from Merida.
Our driver left us at the door of a striking ultra-modern glass and cement architectural delight. From what I've seen so far, of the house and the colourful city, it looks like San Miguel will be a visual feast.
In the meantime, we gotta eat. So we stocked up the fridge from a nearby grocery then headed out for dinner. Tired, hungry, we'd not eaten since breakfast at the airport, we resorted to our fave cuisine, pizza. Yeah, I know, pizza in Mexico, why would one eat pizza in Mexico, but why not? And they had my numero uno, a thin crust Margherita with anchovies.
Upon leaving the aptly named Neapolitan Pizza, which by the way was excellent, we found ourselves refreshed and surrounded with murals and I love murals. The first time any murals caught my attention was in Valparaiso. The colourful public art transformed the town, the seaside setting being beautiful but the architecture not. Turns out, San Miguel de Allende has murals, too, though they are just an added bonus to the charming architecture. I've a few mural photos below.
1We'd not used Uber prior to Merida. We quickly became fans of the no-cash-needed service.
2Trollope's stories of life in Victorian England are absolutely nothing like Mad Max.
The Mojigangas of San Miguel de Allende, Mexico, trace their origin to the tradition of The Giants (Los Gigantes) of Spain. The Spaniards brought this tradition to Mexico and other parts of Latin America. The tradition took hold in some places and not others. San Miguel de Allende and Oaxaca are two locations where the tradition rooted and evolved to a different, more locally interpreted folk art form. The original Giant style was more apt to depict aristocratic figures that are symmetrical and more doll-like in appearance. In Latin America this tradition morphed into the more relaxed & burlesque art form seen in Las Mojigangas de San Miguel… A merging, at times, of the Sacred with the Profane. Spain continues with a strong tradition of The Giants in both their secular and religious culture. One example is their role in The Parade of the Giants during La Pamplonada. discoversma.com
The Mojigangas of San Miguel de Allende, Mexico, trace their origin to the tradition of The Giants (Los Gigantes) of Spain. The Spaniards brought this tradition to Mexico and other parts of Latin America. The tradition took hold in some places and not others. San Miguel de Allende and Oaxaca are two locations where the tradition rooted and evolved to a different, more locally interpreted folk art form. The original Giant style was more apt to depict aristocratic figures that are symmetrical and more doll-like in appearance. In Latin America this tradition morphed into the more relaxed & burlesque art form seen in Las Mojigangas de San Miguel… A merging, at times, of the Sacred with the Profane. Spain continues with a strong tradition of The Giants in both their secular and religious culture. One example is their role in The Parade of the Giants during La Pamplonada. discoversma.com
The Mojigangas of San Miguel de Allende, Mexico, trace their origin to the tradition of The Giants (Los Gigantes) of Spain. The Spaniards brought this tradition to Mexico and other parts of Latin America. The tradition took hold in some places and not others. San Miguel de Allende and Oaxaca are two locations where the tradition rooted and evolved to a different, more locally interpreted folk art form. The original Giant style was more apt to depict aristocratic figures that are symmetrical and more doll-like in appearance. In Latin America this tradition morphed into the more relaxed & burlesque art form seen in Las Mojigangas de San Miguel… A merging, at times, of the Sacred with the Profane. Spain continues with a strong tradition of The Giants in both their secular and religious culture. One example is their role in The Parade of the Giants during La Pamplonada. discoversma.com
Despite what many assume, civilized coexistence in a culture of tolerance is not always the norm, or even universally desired. Democracy is a hard-won, easily rolled-back state of affairs from which many secretly yearn to be released. Uki Goi, an Argentinian writer, in the New York Review of Books
A discouraging thought, but I figure it's better to face the reality that we aren't all on the same page as to how best we should live. The recent election has driven home the point. It should have been a blue blowout, instead it was a draw. I'm left wondering how half the electorate could be such idiots.
Anyway...
We're having a wonderful time in SMA (San Miguel de Allende). The weather is great, with clear skies and comfortably cooler than the Yucatan, the food is good and nicely priced, the music is everywhere and pleasing to the ears, and the town is full of eye candy. Topping it off, the house we are staying in is an architectural work of art --- we've even befriended the architects, but more on that in a future photo-filled post.
SMA has a reputation as a gringo town, and while there is a large community of ex-pats plus tourists, it's still overwhelmingly non-gringo, which is a good thing. As in Merida, the locals are very friendly and helpful, they are always ready with a smile and a buenos dias, and they take my feeble attempts at Spanish with good humor. This certainly contrasts with my experiences in France.
A couple more kudos which also apply to Meridians: they have the queueing thing down, all you have to do is see how they line up for the collectivos. And I rarely smell cigarettes, when I do the source is usually a gringo. A big contrast with, say, Italy and Greece where it feels like everyone chain smokes.
Complaints? Hmm, the sidewalks could be wider. But it's an old town, there's only so much space, so aside from banning cars I don't see a solution. At least the sidewalks here and in Merida are clean and in reasonable condition. As I've written previously, Buenos Aires retains the crown for crappiest sidewalks, both in terms of disrepair and dog poop.
I'm listening to War/No More Trouble by Playing for Change.
We ubered out to Galeria Atotonilco to see Mayer Shacter's collection of Mexican folk art. An impressive collection, with so much on display that at first it's a bit overwhelming. The building, which doubles as Shacter's home, is by Cathi and Steven House, the same architects for our home. It's about 20 minutes from SMA. Most of the artwork is for sale, with prices in the range of about 1,000-75,000 pesos.
If only the universe could pause for awhile, to extend the duration of the evening light. I know, the soft light offers itself twice a day, but I've not the dedication most mornings to catch the early one.
This shot captures the typical narrowness of the sidewalks in the two Mexican towns I've visited.
If only the universe could pause for awhile, to extend the duration of the evening light. I know, the soft light offers itself twice a day, but I've not the dedication most mornings to catch the early one.
This shot captures the typical narrowness of the sidewalks in the two Mexican towns I've visited.
If only the universe could pause for awhile, to extend the duration of the evening light. I know, the soft light offers itself twice a day, but I've not the dedication most mornings to catch the early one.
This shot captures the typical narrowness of the sidewalks in the two Mexican towns I've visited.
Vicente Fox, president of Mexico from 2000 to 2006, spoke in San Miguel this evening. A member of the National Action Party (PAN), he was the first president to break the hold of the International Revolutionary Party (PRI) since 1929.
Fox talked on a broad range of political, economic, and humanitarian topics, took questions from the audience, and then concluded with a discussion of one of the nonprofits he is working with, CRISMA, a therapeutic service for low-income families in SMA.
Coming into the evening I knew nothing of Fox other than he held office as president of Mexico and that he was in an over-the-top video announcing his candidacy for president of the United States.
Fox shared his thoughts on everything from the European Union (he considers it hugely successful), referendums (BREXIT and the recent cancellation of the new Mexico City airport, both of which he's in strong disagreement), NAFTA, the wall (the US will have to waste its own money if it wants one), the migrant caravan (refugee problems are best solved at the source), drug trafficking and its associated violence (he favours legalizing all drugs), populism (dangerous but hopefully the pendulum swings back soon), and whether running a government is the same as running a business (it isn't).
Fox made no effort to hide his disdain for the current occupant of the White House. Fox came across as rational and pragmatic, and a bit right of center. He gave short shrift to the problem of income inequality, preferring to focus on wealth creation versus redistribution. But he took challenging questions in stride, such as the correlation between Coke consumption --- Fox was once a Coke executive --- and obesity.
Curiously, there was no visible security for the ex-president. As far as I could tell Fox had no secret service and there were no metal detectors for the audience, he was just a guy on stage giving a talk and answering questions from the audience. Um, who said Mexico was a dangerous place?
I'm listening to David Sylvian's Nostalgia.
Our house, Casita del Maguey1, is one of two houses squeezed onto a narrow city block on Calzada de la Presa2 in San Miguel de Allende. The architects, Cathi and Steven House, live nearby and use the casitas as rental property and as an exhibit for architecture students. In fact, shortly after we arrived a class of Cal Poly architecture students came for a visit. The Houses are friendly and helpful, and we've run into them numerous times in town, such as at last night's address by president Fox.
Our one bedroom, one and a half bath casita is a visual treat, with tall ceilings, walls of glass, cantilevered walkways, multiple decks, comfortable modern furniture, and tasteful colors and art. It has in-floor heat plus whole-house potable water so you can drink water from any tap. It shares a small pool with the slightly larger casita next door. The location is perfect, a short walk to el centro but with none of its weekend nightlife. The blocks-long maze of the Mercado de Artesania, resembling Istanbul's Grand Bazaar, is just steps away.
Cathi and Steven designed the house to be light and airy and to feel more spacious than it really is. Interesting architectural details abound. It is a feast for the eyes as well as being a comfortable place to hang out while visiting SMA.
The house has downsides. This is not a place for those who like privacy. Being so open inside, you can't, say, listen to music in the living room and have someone sleeping in the bedroom. The house has so many lights and so many light switches that I find myself going up and down the stairs searching for the switch that controls that last light left on before going to bed.
But the biggest problem is the house seems to be unheated3. I figure the in-floor heat, first floor only, isn't up to the task. The house design and construction --- large interior spaces, single-pane glass walls and skylights that run the length of the house, gaps around the exterior doors --- don't match its abilities. Outside it's just above freezing, inside we are wearing long johns, winter coats, and wool hats.
But it sure is pretty.
2Calzada de la Presa changes its name almost block by block, to Chorro, Barranca, Murllo, and Nuez.
3An exaggeration, but if there's any forecast of cold be sure to bring warm clothes. It's worth it, though.
A cold morning in San Miguel, it is 0° (32F) outside and 13° (57F) in la casita. Hoping for some sunshine. In the meantime we are heading out to look for a cafe that has some heat
La Parroquia de San Miguel Archangel, the current parish church of San Miguel, is unique in Mexico and the emblem of the town. It is one of the most-photographed churches in Mexico and the two tall towers of its neo-Gothic facade can be seen from most parts of town. The church was built in the 17th century with a traditional Mexican facade. The current Gothic facade was constructed in 1880 by Zeferino Gutierrez, an indigenous bricklayer and self-taught architect. It is said Gutierrez's inspiration came from postcards and lithographs of Gothic churches in Europe; however, the interpretation is his own and more a work of imagination than a faithful reconstruction. Wikipedia
The inside of the church is well done, but it's the exterior that is so striking. The pinkish-orange colours and the three-dimensionality of the steeple are like a Disney fairy castle.
A willing if untalented gardener, he collages cuttings in pots in strange combinations, confuses weeds and plants. He's not much of a painter, carpenter, or plumber either, though he does a little of all of these things: milusos, as Mexicans say, a thousand uses, a handyman. Tony Cohan, On Mexican Time
My hands are freezing as I write this, I can only drink so many cups of coffee to keep warm, I'll be jittery if I don't stop. We emailed Steven last night regarding the heating problem and in short order he was at our door. I didn't share my thoughts on the construction of the house. He assured us the heat should be up to the task and said a serviceman had been called. I just hope by serviceman he doesn't mean Alejandro, the friendly caretaker who makes me think of Hilario, the handyman in Cohan's book
Steven stayed awhile, he's a bit of a raconteur, a person who finds talking easy and dominates conversation, but fortunately his talk is interesting.
My mother used to say avoid the word "I" in conversation if you want to be considered a good conversationalist, and it's stuck with me; when I listen to others my mother's voice has me counting the I's in their sentences. So it's a word to avoid, but avoiding doesn't guarantee anything, you still need something interesting to say. And while Steven is free with the I's he keeps my attention.
He saw my battered copy of Cohan's book and brightened, Tony is a friend and client. I probed for an answer to the location of Calle Flor and Steven confirmed my suspicions, Calle Flor is a made-up name, the author's perogative to change a name to protect something. Tony's house was not on Calle Flor, it was on Jesus, a three-block street between Tenerias and Umaran, and that makes sense, it aligns with the descriptions of neighborhood shops, intersections, and views of the cathedral from the rooftop. Walking Jesus will be on today's itinerary.
Steven talked of his travels and his photography. We pulled out one of his books that is sitting in the casita, Mediterranean Villages. It's chock full of beautiful black and white photos and drawings made by Steven and Cathi. Paul and I have been to many of the same places, we have similar favorites, the Greek islands, Santorini and Monemvasia, and small Italian hill towns. It's a coffee table book I'd consider, unlike Kramer's coffee table book about coffee tables1.
Alejandro comes by. He studies the thermostat, he changes the batteries, he studies it some more. He touches the floor, caliente he says, well it's been mildly caliente all along, but not enough caliente. I don't have high hopes for heat.
We have a similar in-floor system in Otter Point, though ours is more complex, two floors and eleven zones. It took us awhile to find someone who could diagnose our heat issues, even the company that installed it couldn't fix it. They sent out a guy who stood in front of the system studying the manuals and talking to the manufacturer, all on our dime. I've come to think in-floor heat is one of those technologies that isn't quite ready, it takes almost a degree in engineering to understand the settings, and even when you understand it it is problematic. Slow to heat, inflexibly embedded in concrete, with a Rube Goldberg, or Wallace and Gromit, complexity; obscure settings and sensors and actuators and pipes and so many wires it's a wonder when it works.
I'm listening to Patty Griffin's Heavenly Day.
1Seinfeld reference.
We checked out the Bellas Artes to see the beautiful building, study some art, snack on cheesecake and cappuccino, and attend a book signing/talk/slide show on West Africa. The Bellas Artes is housed in a former convent. It has a large central courtyard around which are exhibit spaces, an auditorium, and workshops for a wide range of arts, from music and dance to weaving and painting. Entrance to the building and exhibits is free, like most of the Mexican museums we've visited, which is great as it makes it accessible to everyone.
The Mercado de Artesanias is an interesting place to shop. It is a couple of minutes walk from our rented house. To get to it we walk past the gym/pilates/yoga/zumba studio that fills the morning air with the sounds of pulsing, energetic music, past the tortilla factory with it's bready smells, then turn the corner into the Mercado de Artesanias and the adjacent food market, Mercado Ignacio Ramirez. They comprise a three-block-long narrow pedestrian street lined with merchants of many types. Fresh vegetables, cooked foods, meats, bicycles, clothing, zapatos, pewter ware, and on and on, every imaginable type of good is available for sale. There are metal smiths making jewelry, women roasting corn, and butchers cutting meat.
We walk through the Mercado at least once a day. It's clean and neat and the merchants are friendly and relaxed, unlike the high-pressure salesmen in the somewhat-similar Istanbul Grand Bazaar.
San Miguel is chock full of stores, beautiful, artistic, eye candy stores, as you walk down the narrow sidewalks almost every turn of the head fills your eyes with another tempting place to shop, and we do, but we especially like the Mercado.
The Mercado de Artesanias is an interesting place to shop. It is a couple of minutes walk from our rented house. To get to it we walk past the gym/pilates/yoga/zumba studio that fills the morning air with the sounds of pulsing, energetic music, past the tortilla factory with it's bready smells, then turn the corner into the Mercado de Artesanias and the adjacent food market, Mercado Ignacio Ramirez. They comprise a three-block-long narrow pedestrian street lined with merchants of many types. Fresh vegetables, cooked foods, meats, bicycles, clothing, zapatos, pewter ware, and on and on, every imaginable type of good is available for sale. There are metal smiths making jewelry, women roasting corn, and butchers cutting meat.
We walk through the Mercado at least once a day. It's clean and neat and the merchants are friendly and relaxed, unlike the high-pressure salesmen in the somewhat-similar Istanbul Grand Bazaar.
San Miguel is chock full of stores, beautiful, artistic, eye candy stores, as you walk down the narrow sidewalks almost every turn of the head fills your eyes with another tempting place to shop, and we do, but we especially like the Mercado.
The Mercado de Artesanias is an interesting place to shop. It is a couple of minutes walk from our rented house. To get to it we walk past the gym/pilates/yoga/zumba studio that fills the morning air with the sounds of pulsing, energetic music, past the tortilla factory with it's bready smells, then turn the corner into the Mercado de Artesanias and the adjacent food market, Mercado Ignacio Ramirez. They comprise a three-block-long narrow pedestrian street lined with merchants of many types. Fresh vegetables, cooked foods, meats, bicycles, clothing, zapatos, pewter ware, and on and on, every imaginable type of good is available for sale. There are metal smiths making jewelry, women roasting corn, and butchers cutting meat.
We walk through the Mercado at least once a day. It's clean and neat and the merchants are friendly and relaxed, unlike the high-pressure salesmen in the somewhat-similar Istanbul Grand Bazaar.
San Miguel is chock full of stores, beautiful, artistic, eye candy stores, as you walk down the narrow sidewalks almost every turn of the head fills your eyes with another tempting place to shop, and we do, but we especially like the Mercado.
1The New York Times' article In Town With Little Water, Coca-Cola Is Everywhere. So Is Diabetes.
1The New York Times' article In Town With Little Water, Coca-Cola Is Everywhere. So Is Diabetes.
1The New York Times' article In Town With Little Water, Coca-Cola Is Everywhere. So Is Diabetes.
After tasty Yucatan tacos and pibil at Mercardo del Carmen we walked through the packed-with-people Jardin Allende. I noticed that many women were sporting rings of colourful flowers in their hair, it's a cool look. And I saw lots of families with children, the kids playing with rocket-like inflatables that they shoot into the air.
